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Making of ”Quest for Fire“.

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Since its opening in 1882, the Paris Bourse du Travail (Labor Exchange) has remained a nerve center of the labor movement. Once a hotbed of revolutionary syndicalism, and now a meeting place for the main labor federations, history is etched into the walls of the Bourse. It is from the rooms bearing the names of illustrious figures—Eugène Varlin, Fernand Pelloutier, Jean Jaurès, Léon Jouhaux—that historians (Jean Bruhat, Bernard Georges, Jacques Julliard, Jean Maitron, Madeleine Reberioux, Denise Trintant) and the Bourse's general secretary, Jean Braire, have sought to bring to life a century of social history. The general secretaries of the five major labor federations (André Bergeron, Jean Bornard, Edmond Maire, Jacques Pommateau, Georges Seguy) discuss the origins of the Bourses du Travail, but also address the present and the future.

Staying up day and night and occupying a hairdressing salon at 57 Bd de Strasbourg in Paris, eighteen undocumented workers are on strike since May 22, 2014, protesting against human trafficking and the local mafia.

Unwilling to marry, Silvia poses as a maid in order to meet the man she is to marry incognito. This will allow her to study the character and behaviour of her fiancé. But the young man resorts to the same stratagem...

1609, Basque Country. From a long line of abortionist-healers, three sisters find their lives endangered by the arrival of Judge Pierre De Lancre in the region. Hostile and terrified of women's freedom and knowledge, he leads one of the deadliest witch hunts in France. Plunged into a nightmare, the three sisters find themselves struggling, each in their own way, to survive...

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Rue du retrait is a film which is quite unique to René Féret for various reasons.Firstly,it is a film which he shot in his own area,near his own house.Rue de retrait is the name of the street in 20th arrondissement in Paris where Mr.Féret stays.So in a way the location afforded a lot of familiarity in terms of location to the cinéaste. Secondly,the making of this film will always remain a miracle of sorts for René Féret as no big production house was willing to finance such a brave,absolutely uncommon film in France.So this film was finally made due to René Féret's personal intervention and highly individual efforts. Its visual style was applauded by a great French filmmaker named Bertrand Tavernier who has long been one of René Féret's admirers.